chroma code
CHROMA CODE
SPECIALTIES
FILM MAKING
EDITORIAL PHOTOGRAPHY
CONCEPTUAL PHOTOGRAPHY
VISUAL EFFECTS & COMPOSITING
RETOUCHING & POST PRODUCTION
Anthony Jamie Bucciacchio (Chroma Code) is a filmmaker and visual artist specializing in editorial and conceptual photography, filmmaking, retouching, and post-production. With a keen eye for storytelling and detail, he has collaborated with renowned artists and brands, creating striking visuals that push creative boundaries.
Represented by Superchief Gallery (NYC), Chroma Code’s work has been exhibited globally, including at Tokyo Nox Gallery, IHAM in Paris, and in Seoul, among many others. Their artistic vision seamlessly blends narrative and aesthetics, making each project a compelling visual experience.
Known for a versatile approach, Chroma Code adapts effortlessly to a range of creative styles, from raw and cinematic to polished and high-fashion. Whether working on independent projects or large-scale productions, they bring a unique perspective while tailoring each piece to fit the vision of the project.
ABOUT THE ARTIST
Jamie is a certified Canadian photographer & director based in Montreal with over four years of experience. His work captivates & engages viewers by creating intentional, memorable pieces. As a multidisciplinary artist, he excels in experimenting with a variety of contemporary processes & fully utilizing industry tools to bring projects to life. Jamie approaches every project with enthusiasm & diligence.
Chroma Code adapts effortlessly to a range of creative styles, from raw and cinematic to polished and high-fashion.
PINHEAD
"Pinhead" was a collaborative project with Montreal designer Veronica Rocket, paying homage to the iconic 1980s interpretation of Clive Barker’s legendary creation. Through striking visuals and meticulous attention to detail, the shoot captured the essence of dark, cinematic storytelling while showcasing innovative fashion design. The intent of the photoshoot was not only to do justice to Veronica Rocket’s design but also to immerse the character in an environment that echoed the lore of The Hellbound Heart. Location was crucial—a stark, brutalist outdoor setting, chosen for its cold, monolithic structures that felt as if they had been pulled from the labyrinthine depths of Leviathan’s domain. Shot at sundown and into the night, the interplay of deep shadows and harsh artificial light sculpted an atmosphere of mystery and unease, reinforcing the themes of power, transformation, and the seductive pull of the unknown.
BACKROOMS SHORTS
“The Backrooms Shorts” is a collection of short, atmospheric films created as a personal exploration into the surreal, unsettling world of liminal spaces. Shot in found-footage style and inspired by internet horror lore, each piece offers a glimpse into the unknown—crafted to immerse the community in the eerie quiet between reality and nightmare.** Let me know if you want a version with a more casual or cinematic vibe! More than just a showcase of physical expression, I'm-Pulse embodies the tension between isolation and connection. The dancers navigate vast, empty corridors and sterile, fluorescent-lit rooms, their movements both searching and defiant. Each step, each gesture, becomes an act of reclaiming space—a way of breaking through the surreal stillness and finding rhythm in the unknown. The chosen locations evoke the unsettling aesthetic of the Backrooms, with endless hallways, stark lighting, and uncanny architecture reinforcing a sense of displacement. Shot in shifting tones of artificial light and deep shadow, the film’s visual language enhances its hypnotic, almost otherworldly energy. Through fluid camerawork and an atmospheric soundscape, I'm-Pulse captures the push and pull between confinement and freedom—between losing oneself and finding connection in movement.
I'M-PULSE
"I'm-Pulse" is a contemporary dance short film that explores the themes of freedom through movement and human connectivity, set against the eerie, dreamlike backdrop of liminal spaces. Featuring some of Montreal’s most expressive dancers, the film transforms dance into a form of escape—an instinctive response to an environment that feels both infinite and inescapable. More than just a showcase of physical expression, I'm-Pulse embodies the tension between isolation and connection. The dancers navigate vast, empty corridors and sterile, fluorescent-lit rooms, their movements both searching and defiant. Each step, each gesture, becomes an act of reclaiming space—a way of breaking through the surreal stillness and finding rhythm in the unknown. The chosen locations evoke the unsettling aesthetic of the Backrooms, with endless hallways, stark lighting, and uncanny architecture reinforcing a sense of displacement. Shot in shifting tones of artificial light and deep shadow, the film’s visual language enhances its hypnotic, almost otherworldly energy. Through fluid camerawork and an atmospheric soundscape, I'm-Pulse captures the push and pull between confinement and freedom—between losing oneself and finding connection in movement.
PERSONAL COLLECTION
Anthony Jamie Bucciacchio (Chroma Code) is a Canadian visual artist specializing in photography, filmmaking, and digital art. His work blurs the line between reality and imagination, tapping into the subconscious and exploring how memory, nostalgia, and vulnerability evolve over time. Through surreal, immersive storytelling, Jamie crafts atmospheric, emotionally charged visuals that resonate on a deep, almost instinctual level. His portfolio is built on bold, experimental work that merges fine art with commercial appeal. Jamie remains at the forefront of digital art, with his NFT works available on Manifold, Foundation, and OpenSea, cementing his presence in the evolving Web3 space. Constantly pushing creative boundaries, Jamie is driven by a vision to reshape commercial photography and filmmaking with his distinctive conceptual approach. His seamless integration of multiple mediums results in visceral, high-impact visuals that set him apart in the industry. With an unrelenting pursuit of innovation, he is rapidly carving a path toward becoming a leading force in both fine art and commercial storytelling. The intent of the photoshoot was not only to do justice to Veronica Rocket’s design but also to immerse the character in an environment that echoed the lore of The Hellbound Heart. Location was crucial—a stark, brutalist outdoor setting, chosen for its cold, monolithic structures that felt as if they had been pulled from the labyrinthine depths of Leviathan’s domain. Shot at sundown and into the night, the interplay of deep shadows and harsh artificial light sculpted an atmosphere of mystery and unease, reinforcing the themes of power, transformation, and the seductive pull of the unknown.